Point of view
Narrator
First-person narrator
Editorial omniscience
Third-person narrator
Story:
First-person narrator
Omniscient narrator
Second-person narrator
Neutral
omniscience
Story: Editorial omniscience
Story:
Third-person selective omniscient narrator
Select omniscient narrator (limited omniscient)
Story:
Stream-of-consciousness combined with selective omniscience
Story: second-person narrator
Story: First-person
narrator
Naive narrator (innocent eye)
Objective point of view
Author
Unreliable narrator
Stream-of-consciousness
With this third-person
narrator, the author usually restricts the narrator to the single
perspective of either a major or minor character.
uses "I" or "we" and is a major
or minor participant in the action.
uses "you," thrusting the
reader into the story.
This third-person narrator
allows characters' actions and thoughts to speak for themselves.
The teller of a story
This third-person point of view
employs a narrator who does not see into the mind of any character; the
narrator reports action and dialogue without telling us directly what
characters feel and think.
refers to who tells the story
and how it is told.
This third person narrator
attempts to record mental activity ranging from consciousness to the
unconscious, from clear perceptions to confused longings.
"Everyday Use"
"Marriage is a Private
Affair"
uses he, she, or they to tell
the story and does not participate in the action.
"Young Goodman Brown"
"A Rose for Emily"
A type of first-person
narrator: a fictional character whose interpretation of events is
different from the author's.
It is a mistake to think that
the narrative voice of a story is the . . .
"Winter Count 1973: Geese, They
Flew Over in a Storm"
"How to Talk to a Hunter"
This first-person narrator
lacks the sophistication to interpret accurately what she/he sees.
This third-person narrator not
only recounts actions and thoughts, but also judges.
narrator takes us inside the
characters but is not a participant in the story; all-knowing.