This article originally appeared in Perspectives: American Historical Association Newsletter, 35.2, Feb 1997. Some of the features described below have since changed.
I teach the honors section
of the two-semester sequence in Western civilization for the Department of History and the University Honors Program at the University
of South Dakota. Nearly all of the fine students in this course take both semesters
with me and grow accustomed to the unusual problems I set them. In the spring of 1996 I
had them develop a multimedia project entitled "The House the West Built."
Working in groups of about five persons each, the students selected and researched some
aspect of Western Civilization and presented their results on the World Wide Web. They
used text, graphics, sound, and video coded in hypertext markup language (HTML) readable
by common browsers such as Netscape, Mosaic, and Internet Explorer. Thanks to the
ingenuity and hard work of my students, this project succeeded in presenting the fruits of
traditional historical reflection in innovative ways by using existing and developing
computer- and Internet-related technologies. Other educators may find my model useful in
working with their own students.
The January 1996 issue of Perspectives carried a series of articles about multimedia presentations in the history classroom, the nature of the World Wide Web, and historical resources on the Web. Some of these articles also explain how to browse the web and create web pages. In what follows I shall assume the reader's familiarity with the concepts and tools described there. Most educators will be able to consult their local computer experts for further assistance, and many university web sites include pages of instruction about establishing web sites on the local network (see USD's at http://www.usd.edu/heidi/howtomk.html or http://www.usd.edu/intec/publish.html). I also recommend as a starting point "New Tools for Teaching" by James J O'Donnell, a pioneer of cyberspace technology in education.
As I browsed the web in preparation for writing this article, I searched for similar student history projects. Most of the information on instructional technology--and there is a great deal of it--concerns ways for teachers to use the web. I was surprised to find very few projects that students prepared, and all of those originated in composition courses. For a fine example of a class project go to"Once Upon a Time in the Eighties," with reflections by the instructor, Matthew G Kirschenbaum, and links to other projects; see also the index of student writing for the web at "Writing for the World." I know of no history projects by students on the World Wide Web. (George P. Landow created a site, "The Victorian Web," which has a counterpart in Brown University's Storyspace Cluster, a collection of hypertext documents not yet accessible on the Web. I understand that this counterpart contains material generated by Landow's students.)
The assignment under discussion constituted one of the four projects my students did in the spring term (the others were traditional papers; see the syllabus). I divided the students randomly into nine groups of four or five members each. Each group developed a theme that treated some aspect of Western Civilization. I encouraged the students to use any material they could write, scan, record, photograph, or videotape. I told them to have fun with the project. But I warned them that its purpose was not to dazzle visitors to the site with technological bells and whistles but to develop a cogent and elegant critique of some aspect of their culture. The students received the assignment at the beginning of the term (11 January 1996) and submitted their projects 12 April. We launched the various projects over the next few days, and the completed web site was up and running for USD's spring festival IdeaFest, where the students demonstrated it in the showcase for undergraduate research the week of 22-26 April.
My purpose in setting this assignment for my students was to go beyond using computer and Internet technology as a tool for my own teaching and research and make it a resource for my students and a vehicle for them to present their work. The fastest-growing, most universally accessible medium of communicating ideas that humanists have ever enjoyed, the World Wide Web requires new ways of formulating intellectual problems as well as presenting their solutions, and the medium itself entails new sorts of problems that probe the impact of computer and communications technology on human life and thought. I further expected this project to excite the interest of the students, as in fact it did. Finally, I wanted my students to have the experience of working within groups on complex problems.
When I first met with the class in the fall of 1995, I told the students that they would have to procure handouts such as syllabi, study questions, and documents from my home page (whose address or URL is http://www.usd.edu/~clehmann), whence they could also follow links to sites of related interest around the world. I wrote the URL on the board and asked the forty-three students whether anyone understood what it was. A few students raised their hands. In fact, only three or four knew how to gain access to the World Wide Web, so I gave the entire class a brief lesson about using a Web browser. Several students came to my office for further help. By the end of the year only one student--someone who joined the sequence at semester break and who depended on his fellow students for this assignment--had not learned how to browse the web. Students can pick up the requisite skills quickly on their own and by helping each other; they do not need much formal training.
I presented the multimedia assignment to the students at the beginning of the spring term and established the nine groups in the second week. I told them that they were responsible for establishing the content of their projects and assigning responsibilities within the groups but that I would work closely with them to turn digitized text, images, sound, and video into the final presentation--in effect, that I would mark up their projects in HTML. I had secured production assistance from an institute in USD's School of Education, InTEC (Interactive Technologies in Education and Corporations), whose director gave an introductory lecture on multimedia production to my class and helped individual groups to prepare storyboards, or series of rough sketches of their ideas, scan images, and digitize video. I had already acquired proficiency in HTML editing and so decided to produce the projects directly in HTML, sometimes using Microsoft Word's free HTML add-on, Internet Assistant. One could also use the presentation software described in the January 1997 Perspectives either to create multimedia presentations directly in HTML for posting on the Internet or in proprietary formats readable by browsers with the appropriate add-ons (for further information consult InTEC's page on educational technology).
Students at USD have ready access to relatively new machines running Windows 3.1 and Windows 95 and to Macintosh computers. On these machines the students can prepare the textual material for their presentations. Students have access to additional equipment at InTEC, including Macintosh Quadra 950 and PowerMac 8500 computers, Hewlett Packard and Apple scanners, equipment for video capture, and a QuickTake digitizing camera, as well as DeskScan, Photoshop, and Adobe Premiere software. Most of these machines and sites have direct connections to the university's research and education network, COYOTENet. I did the HTML editing on my desktop, a 90 MHz Pentium multimedia computer with a direct connection to COYOTENet.
Through February and March we took occasional class time for the groups to meet briefly while I circulated among them in order to check their progress. I warned the students that they would have to start early and meet often because they could not get a group of several people together and consult the staff at InTEC the eve of the due date. I suggested that they take some time to browse the web and see what sort of things others had done, and I pointed out that people who visited their web sites would not linger on a page with nothing but great expanses of text. That is, the projects had to take a multimedia approach, and that approach would affect choice of topic and character of presentation. I insisted that each group have a topic selected and a rough idea about how the presentation would look before midterm break at the beginning of March. By the first two weeks of April I was spending several hours a week outside class with the students. To encourage cooperation within each group, I built a component of peer evaluation into the grading of the assignment (60% my evaluation, 40% fellow students'); however, I found no significant problems with each student doing his or her share of the work.
I instructed the students to submit their completed and digitized materials to me by 12 April in DOS file format and with a storyboard. I expected to spend the following days coding, assembling, and launching the projects. One of the students had already written web pages, and she launched her group's site. Students in two other groups became excited enough about web-authoring that they learned HTML and launched their own sites. In the end, I had to mark up only six of the projects. Even so, I spent much more time than I had expected, primarily for two reasons. Some groups had not adequately and concretely thought out how they wanted their presentations to appear and so did not give me enough information to turn their disks readily into web sites. I resolved this problem by conceptualizing the presentations myself and then having the respective group vet what I had done. Some groups gave me files that were not compatible with my PC; in such cases I sent the files back to their computers to be converted to the proper format. I spent six to eight hours marking up each project. By 15 April the site was substantially complete, and I launched it--transferred it to the university's server so that it was readable to the world. The next day we met in a computer lab, and each group presented its site to the entire class. To our relief and delight, almost everything worked.
Until now only my students have known how to access "The House the West Built." Therefore copyright issues did not arise. I think that, within the context of a course, the fair use clause of US Copyright Law permits students to incorporate copyrighted items into their projects (InTEC has a useful collection of documents and links on the issue of copyright and the World Wide Web). Before making the site available to the world, however, I felt obligated to secure permission to use copyrighted objects. This process proved far more time-consuming than launching the site. Responses from copyright holders who had posted images on the web came quickly and almost always positively. I found it much more difficult to secure permissions from copyright holders via the mail, who have tended to respond negatively or simply not at all. Such images I have deleted or substituted with an equivalent for which I could secure permission. Therefore current visitors to the site will not see exactly what my students planned. In addition, sites move or disappear over time, and not all links that worked in May 96 will continue to work in the coming months.
Visitors to "The House the West Built" first arrive at an
introductory screen that presents the project and makes acknowledgments. Visitors click on
the openings in the façade of an historic building on USD's campus in order to visit the
individual projects. If one clicks on the doorway at the bottom of the picture, for
example, "The Evolution
of Philosophy" comes up. Its main page has decorative elements, a picture of the
authors, a list of linked sites elsewhere on the web, a bibliography, and text that
explains the purpose of the site. Within that text one can click on key phrases or links
that go to secondary pages on Greek and Roman Philosophers, Rationalism and Empiricism,
Existentialism, Political Philosophers, and Socio-economic Theories. Each of these pages
has pictures of the relevant philosophers.
The students who authored this site gave me a carefully prepared storyboard
(see figure) that showed me exactly how to assemble each of the files on their disks into
the completed site. They also gave me hard copy indicating the location within the texts
of pictures and links to other sites on the web. I had only to convert their texts to HTML
documents, insert photographs, and establish the hypertext links from one document to the
next. I did not edit the texts themselves except in a few egregious instances. Seven
months of writing papers for me had already inculcated a certain consistency of style
among the students.
The other projects survey the impact of religion on art via an auction of selected works, complete with the auctioneer's chant (as background sound, which currently works only on Microsoft's Internet Explorer for Windows 95 as far as I know); visit Renaissance Florence (this site includes a video taken from the top of Brunelleschi's dome), some British colonies, or Medieval England; offer a whimsical tour of world architecture; explore the Museum of Western Civilization (you could hear excerpts from classical music if not for copyright restrictions); and study mythology or the education of women.
When we started, the students faced the assignment with some trepidation but great excitement. The course evaluations, in the end, indicate an overwhelmingly positive response to the project: it was fun to do, interesting, valuable for learning about the Internet and about working with other people. Some students objected to the group experience, wishing they had selected their own groups or worked alone. A few wished that they had had more technical instruction, and one said that it was not an appropriate project as this was not a class in computer science. Several concluded like this: "I hated the multimedia project at first but when it was done I liked [it]."
Next year I plan to set my students a similar project, with a focus on revolutions and the utopias they aim for. This time I shall begin to introduce HTML-editing and other technical aspects of web-authoring in the fall term and require the students to have written their own home pages before I set the multimedia assignment in January. And this time, because I expect to make the project accessible to the world as soon as I launch it, I shall require the students to secure permission to use copyrighted items. One can watch the progress of the new project by occasionally visiting my home page. I am always willing to respond to questions or comments; e-mail me at clehmann@charlie.usd.edu.
I am grateful to my colleagues Dale McFarland, Michael Hoadley, and Don Pryce and to my student Tara Leigh Lursen for reading and commenting on this article and to the editor, Jan Reiff, for her suggestions.
© 1997 American Historical Association
Prepared for posting on the World Wide Web by Clayton Miles Lehmann, February 1997