Women
and
Literature
"If we study how women express
themselves and how they really feel, then that would be women's
liberation."
-an anonymous Wellesley student
As expressed above, the true revolution
of women in the areas of art and literature comes from an
emphasis on the study and awareness of women's writing through
the ages.
Since the beginning of time, women have
endured differences in their treatment by society because they
are different--they are not male.
But is it so bad to be different?
Patricia Meyer Spacks writes in The
Female Imagination,
The differences between traditional female
occupations and roles and male ones make a difference in
female writing. Even if a woman wishes to demonstrate
her essential identity with male interests and ideas,
the necessity of making the demonstration, contradicting
the stereotype, allies her initially with her
sisters. (7)
Only fairly recently have women
begun to let their imaginations soar into the public eye via art
and literature. In fact, Mary Shelley published Frankenstein
in 1819 under a pseudonym; she did not make it known that she was
a female.
"It has been common for me to
devise and publish theories about women; it was less common for
women to write about themselves." As Meyer-Spacks continues
in The Female Imagination, "Surely the mind
has a sex, minds learn their sex--and it is
no derogation of the female variety to do so" (7).
Writings in which women focus on
themselves have been gaining exponential momentum since the
beginning of the 19th century. Two prominent and revolutionary
writers, Mary Wollstonecraft and Virginia Woolf, delved into the
issues of women in their day.
A Vindication of the Rights of
Woman, written by Mary Wollstonecraft, dissects the
limitations that Bourgeois society put on females in that day.
Women of the 1800's were repressed politically, domestically,
educationally, and especially sexually by society's expected
roles. In A Vindication of the Rights of Woman,
Wollstonecraft supports her essays with literature and political
theories.
Virginia Woolf continued with the same
idea in her book, A Room of One's Own, published in
1928. Woolf's main premise was "women and fiction," and
she concentrated on several aspects of life--political, social,
and economic. Most of the emphasis, however, was placed on the
psychological condition of women.
She began the essay with a statement of
"insecurities" about her topic and what the topic
really meant:
The title women and fiction might mean, and you
may have meant it to mean, women and what they are like; or it might
mean women and the fiction that is written about them; or it might
mean that somehow all three are inextriably mixed together and you
want me to consider them in that light. But when I began to
consider them in this last way, which seemed the most interesting, I
soon saw that it had one fatal drawback. I should never be able to
come to a conclusion. (7)
Virginia Woolf's statement is a precise
description of women and literature still today. Literature is
still developing, changing, and flourishing. Women are
establishing themselves both as a whole and as individuals. It is
an ongoing revolution.
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