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Two Great Instruments Loaned for Exhibition in Innsbruck |
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Left: NMM 3371. Tenor viola by Jacob Stainer, Absam bei Innsbruck, ca. 1650. Ex colls.: Hammig, Hamma. Witten-Rawlins Collection, 1984. Right: NMM 4548. Violin by Jacob Stainer, Absam bei Innsbruck, 1668. Ex colls.: Hamma, W. E. Hill & Sons, Sam Bloomfield. Board of Trustees, in memory of Arne B. & Jeanne F. Larson, 1988. |
Jacob Stainer, the greatest of the German-speaking violin makers, is considered by many to be the greatest luthier of the 17th century. His instruments were still preferred over those of the Italian masters by Leopold Mozart and his contemporaries because of the beauty of their tone, well into the 18th century.
Probably the most important special international exhibition of stringed instruments to be mounted since Antonio Stradivari, an exhibition held in Cremona in 1987 to mark the 250th anniversary of Stradivari's death, Jacob Stainer, which was assembled by Rudolf Hopfner, Curator of the Collection of Ancient Musical Instruments at the KHM, featured some 170 objects, including 21 instruments by Stainer and another 25 instruments made by other makers of the time. Books, paintings, and documentary materials (including those documenting Stainer's "heresy" trial) illustrated the cultural environment in which Stainer lived and worked.
In addition, there were two interactive computer presentations with sound analysis, information about violin making and the documentation of stringed instruments, live workshops during June by students from the Hallstatt School for instrument making, and an audio guide with music and information in English, German, and Italian.
Institutional lenders to the exhibition, in addition to the National Music Museum, included the Museum der Stadt Vils, Musikkollegium Winterthur, Oberösterreichisches Landesmuseum Francisco-Carolinum, and Stadtmuseum Füssen. Privately owned instruments were also included.
An x-ray of the Museum's Stainer violin (NMM 4548), taken through the violin's back, documents the instrument's pristine condition and the original nail used to attach the neck to the body. The Museum's two Stainer instruments were taken to Vienna in March 2003, where they were x-rayed and photographed for the scholarly catalog that complemented the exhibition. They also underwent comparative acoustical and other scientific tests, including dendrochronology, confirming that the wood dates from before the years in which the instruments were built. |
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The Museum's Stainer violin, which survives in remarkable original condition (including the straight neck typical of 17th-century violins), is also featured on a CD that was produced for the exhibition. The violin was played by Maria Kubizek, who has been influenced musically, in particular, by Nikolaus Harnoncourt. She has soloed at such venues as Vienna's Musikverein and the Konzerthaus, where she has performed all of the Mozart violin concertos. The catalog, CD, and posters are available for sale at the National Music Museum. |