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Images from the Tea Room
Orchestrion by the Seeburg Company, ca. 1913
"Nobody Can Listen to it Without Smiling!"
Douglas and Phyllis Adam of Yankton, South Dakota, who
donated this valuable piece of Americana to the Museum, promised that "nobody
can listen to it without smiling," and they were right. Exhibited in the
Museum's Jeanne F. Larson Tea Room, just off the front lobby, the orchestrion
delights visitors who can still hear it played for only a nickel.
Often called nickelodeons, because they play automatically
each time a nickel is dropped into the slot, orchestrions were popular in
restaurants, hotel lobbies, and saloons. This example, Seeburg's famous
Model G, features Torch Style leaded art glass windows, set into an oak
case. The instruments inside, may of which can be seen when the doors are
opened, include a piano, two ranks of organ pipes (flute and violin), mandolin,
snare drum, bass drum, timpani, cymbal, and triangle.
Using a pneumatic action powered by an electric motor,
the instrument is operated by changeable perforated paper rolls that each
contain ten different tunes, many of them melodies from the 19th-century
operatic and orchestral repertoire.
Technologically advanced for their time, such instruments
remind us of the many revolutionary inventions of a hundred years ago--the
light bulb, the internal-combustion engine, the telephone, motion pictures,
and the list goes on and on--that changed lives then perhaps even more dramatically
than the new technologies of today.
Dr. Deborah Check Reeves, Curator of Education, promises
a chance to hear--and watch--the mechanical marvel, as a reward for good
behavior at the end of the many tours that she gives for visiting children.
Even "sophisticated" college students find it impossible to resist the instrument's
noisy appeal.
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Left: This leaded art glass panel inclues a pastoral scene with a cabin
under some trees on the shore of a lake with a mountain in the background.
Right: A windmill and a large barn are silhouetted against the trees in this
leaded art glass panel on the right door of the Museum's 1913 Seeburg orchestrion.
Excerpted from: André P. Larson, "Nobody Can Listen to It Without Smiling!," America's
Shrine to Music Museum Newsletter, 24, No. 2 (January 1997), pp. 1-2 and
The South Dakota Musician (Winter 1997), cover and p. 18.
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A postcard of the orchestrion is available from the Gift Shop
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