Benjamin Hagen is an Assistant Professor of English at USD. He is completing a manuscript
entitled, "The Sensuous Pedagogies of Virginia Woolf and D.H. Lawrence."
Modern and contemporary British, American, and Anglophone literature. History of criticism
and theory. Introduction to fiction, poetry, and drama.
Modern and contemporary literature. Continental philosophy. History of pedagogy. Affect/love
studies. Late and last writings.
Citations listed below are presented in a standardized, modified format for
display purposes only. They do not necessarily reflect the preferred style and conventions
of the faculty member or discipline.
- Hagen, Benjamin. Problems of the Past and Figuring of Aging in Late and Early Wallace Stevens. Iss. 4. Age, Culture, Humanities, 2019.
- Hagen, Benjamin. Sensibility, Parochiality, Spirituality: Toward a Critical Method and Ethic of Response
in Woolf, Spivak, and Mahmood. In Religion, Secularism, and the Spiritual Paths of Virginia Woolf, edited by Kristina K. Groover, 189-207. New York: Palgrave Macmillan, 2019. (DOI: 10.1007/978-3-030-32568-8_11)
- Hagen, Benjamin. Sir Thomas Browne and the Reading of Remains in Virginia Woolf's "Orlando". In Sentencing Orlando: Virginia Woolf and the Morphology of the Modernist Sentence, edited by Elsa Högberg and Amy Bromley, 175-185. Edinburgh University Press, 2018.
- Hagen, Benjamin. Bloomsbury and Philosophy. In Handbook to the Bloomsbury Group, edited by Derek Ryan and Stephen Ross, 135-150. Bloomsbury Academic, 2018.
- Hagen, Benjamin. Feeling Shadows: Virginia Woolf's Sensuous Pedagogy, 266-280. Vol. 132, Iss. 2. PMLA, 2017. (DOI: 10.1632/pmla.2017.132.2.266)
- Hagen, Benjamin. (review) "The Value of Virginia Woolf," by Madelyn Detloff, 171-74. Vol. 23. Woolf Studies Annual, 2017.
- Hagen, Benjamin. Intimations of Cosmic Indifference in Virginia Woolf's Orlando and Olive Moore's "Spleen". In Virginia Woolf and Her Female Contemporaries: Selected Papers from the Twenty-Fifth
Annual International Conference on Virginia Woolf, edited by Julie Vandivere and Megan Hicks. Clemson, South Carolina: Clemson University Press, 2016.
- Hagen, Benjamin. Furthering the Voyage: Reconsidering DeSalvo in Contemporary Woolf Studies. In Personal Effects: Essays on Culture, Teaching, and Memoir in the Work of Louise DeSalvo, edited by Nancy Caronia and Edvige Giunta, 140-52. Bronx, NY: Fordham UP, 2015.
- Hagen, Benjamin. A Future Not My Own: Thinking Aging in Two of Wallace Stevens's Winter Lyrics, 385-413. Vol. 59, Iss. 3. Twentieth-Century Literature, 2013.
- Hagen, Benjamin. Radical Encounters: The Ghost and the Double in "Mrs. Dalloway". Edited by Amy C. Smith and Isabel Mª Andres Cuevas, 13-14. Vol. 80. Virginia Woolf Miscellany, 2011.
- Hagen, Benjamin. Transgressive Simulation: Violence and Reality in Extreme Championship Wrestling. In Simulation in Media and Culture: Believing the Hype, edited by Robin DeRosa, 141-50. Lanham, MD: Rowman and Littlefield, 2011.
- Hagen, Benjamin. "It Is Almost Impossible That I Should Be Here": Wordsworthian Nature and an Ethics
of Self-Writing in Virginia Woolf's "A Sketch of the Past". Edited by Kristin Czarnecki, 13-15. Vol. 78. Virginia Woolf Miscellany, 2010.
- Hagen, Benjamin. A Car, a Plane, and a Tower: Interrogating Public Images in "Mrs. Dalloway", 537-51. Vol. 16, Iss. 3. Modernism/Modernity, 2009. (DOI: 10.1353/mod.0.0119)
- Hagen, Benjamin. "David Mitchell's Ghostwritten: Ghosts, Doubles, and Writing", 84-86. Vol. 67, Iss. 2. The Explicator, 2009.
- Hagen, Benjamin. (review) "Shakespeare and Modernism," by Carl DiPietro, 848-50. Vol. 44, Iss. 4. James Joyce Quarterly , 2007. (DOI: 10.1353/jjq.0.0011)