This exhibition showcases a poster series of inkjet prints on archival paper that combines data, algorithmic processes and color, which explore Martin’s previous career in academic publishing.

“These works are depictions of bound volumes of academic journals using Digital Object Identifiers as the source for hexadecimal colors,” said Martin, who is an associate professor of graphic design at the University of Wisconsin – Parkside.

Martin uses a variety of algorithmic processes to translate the data into colored timelines of the journals, often covering the course of dozens of years and thousands of articles. He affirms that “the resulting images form a kind of ‘bookshelf’ or timeline of the publication, showing the frequency of publication, different types of DOI syntax and shifts in publishers or publishing technologies.”

The text, he adds, provides clues of what is being portrayed while leaving plenty of ambiguity for speculation.

Martin is interested in generative systems for art and design, typography, digital humanities and design education. He has published and presented topics spanning design, creativity and education. His work has been exhibited in many juried and invitational exhibitions in the U.S

For more information about the exhibition, contact Sarah A. Hanson-Pareek, Danielle De Jager-Loftus, Cailey Schendel or Michael Boring.

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